{"id":237109,"date":"2025-12-12T13:00:00","date_gmt":"2025-12-12T12:00:00","guid":{"rendered":"https:\/\/digitalproduction.com\/?p=237109"},"modified":"2025-12-12T09:06:52","modified_gmt":"2025-12-12T08:06:52","slug":"live-fx-9-9-more-walls-more-nodes-more-fun","status":"publish","type":"post","link":"https:\/\/digitalproduction.com\/2025\/12\/12\/live-fx-9-9-more-walls-more-nodes-more-fun\/","title":{"rendered":"Live FX 9.9: More Walls, More Nodes, More Fun"},"content":{"rendered":"\n

For those who don’t know the tool: Live FX<\/a> by Assimilate<\/a> is a real-time compositing and playback mediaserver for LED volumes, virtual production<\/a>, and camera tracking setups. It sits alongside Assimilate\u2019s tools Scratch <\/a>and Play Pro Studio and connects easily with Unreal Engine<\/a> for real-time output. You\u2019ll find it in the same part of the pipeline where mediaservers, camera tracking, and LED walls meet, between VFX, lighting, and on-set supervision.<\/em> More on Live FX is in the works, there is a big story about it in the very near future! <\/em><\/p>\n\n\n\n

\"A<\/a><\/figure>\n\n\n\n

Multi-Display Output: Big Walls Made Easy<\/h3>\n\n\n\n

Version 9.9 lets users drive as many GPU outputs as their hardware (and budget) can handle, with the option to switch any output into HDR mode. Native Quadro Sync<\/em> (Pretty much the only tech where Nvidia still calls it Quadro) support now keeps multi-display and multi-node setups in perfect frame alignment. A typical use case is a virtual production stage needing six LED processors across two GPUs. This makes HDR workflows and non-standard screen layouts much more manageable (Also looking towards our colleagues in the Live Event space).<\/p>\n\n\n\n

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