{"id":231067,"date":"2025-11-28T08:00:00","date_gmt":"2025-11-28T07:00:00","guid":{"rendered":"https:\/\/digitalproduction.com\/?p=231067"},"modified":"2025-11-26T12:05:19","modified_gmt":"2025-11-26T11:05:19","slug":"from-animatic-to-art-direction-previs-pro-adds-video-styling","status":"publish","type":"post","link":"https:\/\/digitalproduction.com\/2025\/11\/28\/from-animatic-to-art-direction-previs-pro-adds-video-styling\/","title":{"rendered":"From Animatic to Art Direction: Previs Pro Adds Video Styling"},"content":{"rendered":"\n

Previs Pro 3 <\/a>already transformed static storyboards into moving animatics with camera motion, props, lighting and timing. Now the developers have extended the toolset further. The new Video Style Grade<\/a> lets users stylise those animatics with generative AI while retaining the original blocking, timing and camera work.<\/p>\n\n\n

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At the same time, the app\u2019s new Pose Mode adds fine-grained control over character articulation, including shoulder, wrist, thigh and ankle positioning, along with a library of preset Hand Poses. The vertical movement range for props, lights and characters has also been doubled, now reaching up to 20 metres. These additions make Previs Pro more than a rough storyboard tool. The combination of pose control, lighting, camera motion and visual styling pushes it toward a real \u201cpre-look\u201d \/ previs \/ animatic hybrid.<\/p>\n\n\n\n

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